楊季涓｜ YANG Chi-Chuan

What a Wonderful World2016, Sound Installation Papers, Bamboo, Various Dimensions. _______________

Essays: a Platfrom2017, Surround Sound, Story telling 3 hours 30 mins, Pebble Dash, Various Dimensions. _______________

√YANG, CHI-CHUAN2017, Sound Installation 7 Hours, Lightbox, Curtain, Painting, Plants,Ready Made, Various Dimensions. _______________

Tick-Tock2017, Sound Installation 8hours , Line, Sofa, Wall Paper, Ready made Various Dimensions. _______________

Inside the Greenhouse2016, Papers Pulp, Wax, Noctilucent Power, Various Dimensions. _______________

Nine Lines2018, Wood, Rubber, Metal, Ready Made, Various Dimensions _______________

Specimen2014, Wax, Oil Painting, Metal, Ready Made, Clay, Print, Various Dimensions. _______________

Picturing the stories you have told me2018, Stereo, Story telling 30 mins , Crayon and Sharpie on the paper, Various Dimensions. _______________

Have a Good Day2017, Sound Installation, Story telling 5 hours, Pebble Dash, Various Dimensions. _______________

Essays During the Night2017, Stereo, Story telling 7 Hours, Curtain, Painting on the Carpet, Various Dimensions. _______________

JiMo2015, Booklet 293 pages, Stone brought back from JiMo, Various Dimensions. _______________

Two Houses of Sixty Years Old2018, Stereo, Story telling 40 mins, Terrazzo, Various Dimensions. _______________

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Picturing the stories you have told me2018, Stereo, Story telling 30 mins , Crayon and Sharpie on the paper, Various Dimensions.(Installation view, in the exhibition of , Art Sanya Huayu Youth Award, Hainan Island, China 2018)

Yang Chi-Chuan was born in Taipei in 1985. After graduating from National Taiwan University of Arts’ Department of Sculpture in 2007, she then began studying at the National School of Fine Arts in France (École nationale supérieure des Beaux-Arts). She was trained in sculpture and new media art studios and participated in exhibitions and activities designed for young artists in Paris, while also working as administrative assistant for French artists. She received the National Diploma in Visual Arts (Diplôme National d'Arts Plastiques) in 2011. During her time in France, she attempted to seek out a new reference model for her customary genre of sculpture, and at the same time, she also paid special attention to her physical state of being and experiences of historical and cultural differences. Upon her return to Taiwan, she began seeing text-based narratives as extensions of sculptures, attempting to use cultural, temporal differences to re-narrative history, groups, or individuals’ unique senses of existence. Through incorporating sculptures with words, more in-depth experiences and perceptions are produced. Small, delicate perceptual sensations sparked by the existence of an art form in a particular space has been the focus of her art lately, and from the interconnected relationships between life’s various aspects, environment, and time, attempts are made to work with the hidden associations that are inevitably formed, which are then blended with personal experiences and transformed into art. With the impacts generated focused on, formation of a new perceptual order is attempted, resulting in artworks that are accompanied by perceptions beyond the sense of seeing. 楊季涓，1985年出生於台北，2007年畢業於國立台灣藝術大學雕塑學系，隨後進入法國國立巴黎高等藝術學院，期間於雕塑與新媒體藝術工作室學習，參與巴黎當地年輕藝術家為主的展覽及活動，以及法籍藝術家執行助理，於2011年獲得法國國家高等造型藝術文憑。旅法期間試圖將自己習以為常的雕塑尋找一個新的參照形式，同時關心於身體處境與歷史文化的差異或轉敘，返國後將文字敘事視為雕塑的延伸概念，試圖通過文化、時間的差異個體去轉敘關於過去歷史、群體或個體中的特殊存在性質，藉由雕塑與文字的配合得到更深層的經驗感受。近期關注造型物件存在於環境空間中所引發的細微身體感知，由這些生活種種與環境及時間的相互關係中，試著附和那些物理的必然性所造成的感受，再揉合上個人經驗轉化於造型物上，強調其中的影響並企圖生產出新的感受秩序，於是，作品所展現的，往往是伴隨而來——非視覺的感知。

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Yang Chi-Chuan (b. 1985), graduated from the National Taiwan University of Arts in 2007 with a BFA in sculpture and obtained in 2011 at National Superior Plastic Arts Diploma (DNSAP) from Ecole Nationale Supérieure des Beaux-Arts in Paris, France. Yang’s artworks utilize sound based personalized murmurings that call upon our own similar experiences, seeking to open up memories related to time, space, objects, and events. Based on her own personal memory databank, Yang’s art practice explores the issues connected to family, politics, animals, and food, extending into the humanities and social sciences. Yang’s recent solo exhibitions include: Have a Good Day, Taipei Artist Village (2017); Tick-Tock, Things That Can Happen in Hong Kong (2017); Essays During the Night, Juming Museum (2017); What a Wonderful World, Grey Projects, Singapore (2016); Specimen, NanHai Gallery, Taipei (2014). Yang has participated in residency programs at Things That Can Happen in Hong Kong (2017) and Grey Projects in Singapore (2016). Awards and recognitions include the Taipei Art Awards Judges Award, Taiwan(2017) and final nominee of the Art Sanya Huayu Youth Award , China(2018) 楊季涓，1985年出生，2011年取得法國國立巴黎高等藝術學院國家高等造型藝術文憑，2007年畢業於國立臺灣藝術大學雕塑學系。近年的創作，透過個人式的綿延呢喃，渲染觀者自身的相似場境，開啟時間、空間與事物的記憶。她的記憶資料庫即為創作軀幹，內容廣泛涉及於家庭、政治、動物、食物等人文科學複式範疇。近期個展：臺北國際藝術村「短篇集：風和日麗」（2017）、咩事藝術空間「Tick-Tock」（2017）、朱銘美術館「短篇集：從夜晚10點到清晨5點」（2017）、Grey Projects「美好世界」（2016）、南海藝廊「標本與實記本」（2014）。駐村計畫：香港咩事藝術空間（2017）、新加坡Grey Projects（2016）。獲獎經歷：2017台北美術獎入選、2018三亞藝術季華宇青年獎入圍。

楊季涓｜ YANG Chi-Chuan

Picturing the stories you have told me2018, Stereo, Story telling 30 mins , Crayon and Sharpie on the paper, Various Dimensions. (Installation view, in the exhibition of , Art Sanya Huayu Youth Award, Hainan Island, China 2018)

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Nine Lines2018, Wood, Rubber, Metal, Ready Made, Various Dimensions. (Installation view, in the exhibition of , TKG+ Projects, Taipei, Taiwan, 2018)

Two Houses of Sixty Years Old2018, Stereo, Story telling 40 mins, Terrazzo, Various Dimensions. (Installation view, in the exhibition of , Crane Gallery, Kaohsiung, Taiwan, 2018)

Essays: a Platfrom2017, Surround Sound, Story telling 3 hours 30 mins, Pebble Dash, Various Dimensions. (Installation view, in the exhibition of <2017 Taipei Art Award>, Taipei, Taiwan, 2017)

Have a Good Day2017, Sound Installation, Story telling 5 hours, Pebble Dash, Various Dimensions, (Installation view, in the exhibition of , Taipei Artist Village, Taipei, Taiwan, 2017)

Tick-Tock2017, Sound Installation 8hours , Line, Sofa, Wall Paper, Ready made Various Dimensions. (Installation view, in the exhibition of , Things That Can Happen, Hong Kong, 2017)

Tick-Tock2017, Sound Installation 8hours , Line, Sofa, Wall Paper, Ready made Various Dimensions.(Installation view, in the exhibition of , Things That Can Happen, Hong Kong, 2017)

Essays During the Night2017, Stereo, Story telling 7 Hours, Curtain, Painting on the Carpet, Various Dimensions. (Installation view, in the exhibition of , Juming Museum, Taipei, Taiwan, 2017)

√YANG, CHI-CHUAN2017, Sound Installation 7 Hours, Lightbox, Curtain, Painting, Plants,Ready Made, Various Dimensions. (Installation view, in the exhibition of <√YANG, CHI-CHUAN>, Radicalsign, Taipei, Taiwan, 2017)

What a Wonderful World2016, Sound Installation Papers, Bamboo, Various Dimensions. (Installation view, in the exhibition of , Grey Project, Singapore, 2016)

What a Wonderful World2016, Sound Installation Papers, Bamboo, Various Dimensions.(Installation view, in the exhibition of , Grey Project, Singapore, 2016)

Inside the Greenhouse2016, Papers Pulp, Wax, Noctilucent Power, Various Dimensions. (Installation view, in the exhibition of , TAI Herbarium, Taipei, Taiwan, 2016)

JiMo2015, Booklet 293 pages, Stone brought back from JiMo, Various Dimensions.

Specimen2014, Wax, Oil Painting, Metal, Ready Made, Clay, Print, Various Dimensions (Installation view, in the exhibition of , Nanhai Gallery, Taipei, Taiwan, 2014)